Artwork photographer
My love for artwork photography all started with my love for pottery
My interest as an artwork photographer started with my relationship with fine art.
It came after photography became my profession.
From early childhood, I was fascinated by pottery and ceramics.
My grandmother created her own Ikebana pots at a time when such objects were not commercially available.
Watching her shape clay instilled in me a lasting sensitivity to form, texture, and material presence.
This early influence was later reinforced through my encounter with Sonia Tahta, an Art History teacher and collector of fine ceramic art, who played a decisive role in helping me find my path as a photographer.
Her rigorous artistic vision and deep knowledge of ceramics profoundly shaped my understanding of how artworks should be seen, interpreted, and ultimately photographed.
When I officially became a photographer, ceramic art naturally emerged as a central passion. I went on to help found and curate exhibitions for ceramists, notably through Le Cercle des Artistes de Paris and ArtCeram (now ArtCeram2).
These experiences strengthened my commitment to creating meaningful visual dialogues between artists, their works, and the viewer.
Whenever possible, I have chosen to exhibit my fine art photographs alongside ceramic artists and sculptors.
This ongoing exchange between mediums continues to inform my photographic approach.
Over the years, this passion has led me to photograph numerous artworks (hence the artwork photographer) for internationally recognised artists, including Jane Perryman, Christine Ladeveze, Franck Turzo, among many others.
Artwork Photographer: Photography with Precision and Respect
Photographing fine art objects is a demanding discipline.
The challenge lies in rendering the work with absolute fidelity – eliminating unwanted reflections, respecting original colours, and preserving the artist’s intent.
At times, the photograph must also convey texture, volume, and spatial presence, particularly with ceramics and sculpture, where materiality is essential.
My approach combines technical precision with an artist’s sensitivity.
Each artwork is treated individually, with particular attention paid to lighting, surface texture, and colour accuracy.
The final effect must be harmonious and highlight the photographed subject.
Meticulous retouching is performed on the digital image to ensure a final image that is both faithful and expressive.
Rates
– 58 € per artwork, including photography and digital retouching.
Each image is delivered ready for exhibition catalogues, portfolios, archives, or online presentation.
